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12th International Sculpture Biennial is launched

The preparations for the 12th International Sculpture Biennial are under way in Carrara, on the keynote of “La contemporaneità dell’arte” (The contemporary in art). Under the Patronage of the President of the Italian Republic and the sponsorship of Ministero per i Beni e le Attività Culturali, sponsored by the Town Council of Carrara, the Fondazione Cassa di Risparmio di Carrara and the Cassa di Risparmio di Carrara Spa, the event will be launched in various sites within the town, running from Saturday 29 July until 24 September 2006.

This year’s edition, entrusted to the critical curatorship of Bruno Corà, with the assistance of a Scientific Committee that includes academics and experts in the plastic arts, will feature an array of events designed to give a complete overview of the specific sphere of sculpture, extending well beyond the traditional historical breakdowns and the diversities of aesthetic concept that characterise the major artistic currents.

Alongside the four aces represented by the principal events making up the framework of the 12th Carrara Biennial, “A Biennial for the Museum”, the artistic director has brought together the works of approximately a hundred artists from different countries and different historical periods. The idea is to emphasise how, beyond the epoch and origins of the artists, and also beyond the quality of the materials and the techniques utilised – all significant factors to be taken into consideration – what nevertheless determines the singularity of the plastic expressions has to be ascribed to the concept of space and the linguistic significance highlighted by each artist in his work. From this perspective, the entire 12th edition of the Biennial features the presence of works and artists which contribute to illustrate the diverse aspects of the plastic discipline from a super-temporal viewpoint. These openly contemporary orientations have, among other experiences, recently been explored in the exhibition “Forms for David” (2005), held at the Accademia Gallery in Florence amidst works from different periods, which clearly expressed the topicality of this aesthetic concept.

Within a climate of great dynamism and artistic participation, the four sections of the Biennial conceived for the occasion - “Alveare” (Beehive), “Pre-dizioni” (Pre-dictions), “Opere dai laboratori” (Works from the Workshops) and “Pietro Tacca – an artist, a story, a city” – also launch the opening of the new Sculpture Museum of Carrara (former Convent of San Francesco).

This event in itself – of a scope extending beyond the regional – sets this town on the slopes of the Apuan Alps, historically linked to the ancient marble quarries, which for over a thousand years have been the most important in Italy for industrial and artistic purposes, in a position of absolute prominence at national level.

With the Marble Museum, the works in the Parco della Padula and the Sculpture Museum, Carrara has established itself as a new Tuscan exhibition centre, committing itself to rendering efficacious and functional the long-awaited urban museum system, with positive repercussions as an attraction for tourism and manufacture.

An exemplary contribution to this project is made by the four sections that constitute the new 12th edition of the Sculpture Biennial.

EXHIBITION PROGRAMME

Alveare (Beehive)

Sculpture Museum – former Cloister of San Francesco

Alongside the historical plaster casts of Luigi Bienaimé, François Joseph Bosio, Pierre Cartellier and Christian Daniel Rauch, from the plaster cast gallery of the Accademia di Belle Arti di Carrara, are works by Giovanni Anselmo, Marco Bagnoli, Stephan Balkenhol, Bìzhan Bassiri, Bernd e Hilla Becher, Joseph Beuys, Alighiero Boetti, Stefano Bonacci, Pedro Cabrita Reis, Pier Paolo Calzolari, Paolo Canevari, Gianni Caravaggio, Enrico Castellani, Loris Cecchini, Giuseppe Chiari, Dai Hyun Choung, Gino De Dominicis, Jan Dibbets, Diego Esposito, Luciano Fabro, Andrea Fogli, Lucio Fontana, Pietro Fortuna, Marco Gastini, Antonio Gatto, Gilbert & George, Eugenio Giliberti, Antony Gormley, Jusuf Hadžifejzović, Abel Herrero, Paolo Icaro, Karpüseeler, Jannis Kounellis, Wolfgang Laib, Christiane Löhr, Richard Long, Francesco Lo Savio, Piero Manzoni, Robert Mapplethorpe, Gordon Matta Clark, Eliseo Mattiacci, Vittoria Mazzoni, Fernando Melani, Fausto Melotti, Mario Merz, Marisa Merz, Vittorio Messina, Diego Morandini, Klaus Münch, Hidetoshi Nagasawa, Nunzio, Luigi Ontani, Mimmo Paladino, Nakis Panayotidis, Giulio Paolini, Claudio Parmiggiani, Pino Pascali, Vettor Pisani, Michelangelo Pistoletto, Jaume Plensa, Luisa Protti, Renato Ranaldi, Giovanni Rizzoli, Chris Sacker, Remo Salvadori, Shigeru Saito, Giuseppe Spagnulo, Ettore Spalletti, Mauro Staccioli, Grazia Toderi, Stefano Tondo, James Turrell, Giuseppe Uncini, Franz West, Eduard Winklhofer, Peter Wüthrich, Yang Jian Ping, Gilberto Zorio.

Pre-dizioni (Pre-dictions)

Accademia di Belle Arti di Carrara

Display of works by young artists from seven European Academies of Fine Arts:

- Accademia di Belle Arti di Carrara: Sandro Del Pistoia, Matteo Peducci, Francesco Ricci

- Akademia Sztuk Pieknych, Wroclaw: Marta Maria Miarra

- Akademie Výtvarných Uméni V,Praze: Martina Fotrová, Teresa Salabová

- Ecole Supérieure d’Art, Toulon: Adrien Porcu, Mélanie Vilpoux

- Facultad de Bellas Artes - Universidad Politécnica de Valencia: Notequedesfuera (Ester Torá, Fran Orallo, Estela Estupinya, José Zambrano, Helena de la Cruz), Ana Ruiz Sospedra

- Koninklijke Academie Van Beeldende Kunsten, Den Haag: Gudmundur Virgin Karlsson, Michela Pelusio

- Vysoká Škola Výtvarných Umen, Bratislava: Martin Muranica.

Works from the Workshops

In piazza San Francesco installations of marble works originating from various workshops in the territory:

- Apparatus Sculptoris: Krzystof M. Bednarski

- Consorzio Marmo Artistico Carrara

Studio d’Arte Corsanini: Sybille Pasche

- S.G.F. Scultura: Graziano Pompili, Eva Eleonore Sachs

- Statuaria Arte: Yoshin Ogata

- Studi d’Arte Cave Michelangelo: Luciano Massari

- Studi di Scultura Nicoli: César Baldaccini, Asger Jorn, Patty Nicoli, Michelangelo Pistoletto

Pietro Tacca – an artist, a story, a city

Sculpture Museum – former Cloister of San Francesco

Retrospective exhibition devoted to the Mannerist sculptor Pietro Tacca, a native of Carrara, who was active throughout Tuscany and in other European courts, curated by Franca Falletti (24 April - 30 September 2007).


Useful information

12th International Sculpture Biennial of Carrara

A Biennial for the Museum

La contemporaneità dell’arte (The contemporary in art)

Press preview: Saturday 29 July at 12.00, Sculpture Museum (former Convent of San Francesco) Via Canal del Rio, Carrara

Shuttle bus service from Florence to Carrara

Saturday 29 July departure at 10.00 from Santa Maria Novella station, Piazza Adua (booking essential: tel. 055 2340742)

Inauguration: 29 July 2006 at 18.00, presentation Accademia di Belle Arti di Carrara, Palco della Musica, Piazza Gramsci; at 18.30 Pre-dizioni (Pre-dictions); at 19.30 Works from the Workshops; at 20.00 Alveare (Beehive)

Sites: ALVEARE (Beehive) Sculpture Museum, former Convent of San Francesco, Via Canal del Rio

OPERE DAI LABORATORI (Works from the Workshops) Piazza San Francesco

PRE-DIZIONI (Pre-dictions) Accademia di Belle Arti di Carrara, Via Roma 1

Duration: 29 July – 24 September 2006

Opening Hours: July - August 10.30-12.30 / 17.00-23.00; September 10.30-12.30 / 14.30-20.30

Entrance: full price € 5.00; reduced price € 3.00 Cassa di Risparmio di Carrara bank customers, holders of CAT ticket, ACI members, ARTE’ members, COOP members, Touring Club members, groups of a minimum of 10, citizens over 65, students, holders of Carta Cultura Giovani Carrara, visitors with tourist guide.

BIENNALE CARD: created specially for the event, the Card can be collected for the price of the entry ticket to the Carrara Sculpture Museum (Museo della Scultura), the Marble Museum (Museo del Marmo) and from the following tourist information offices: office of Carrara (Stadio), office of Marina di Massa, office of Marina di Carrara, office of Partaccia, office of Area di Servizio San Benedetto Ovest (Mulazzo).

The advantages of the BIENNALE CARD: entrance to the Sculpture Museum, discounts in associated shops and commercial organisations, special menu in the associated restaurants, discount on Carrara City Council summer concert tickets, entrance to the Marble Museum of Carrara, reduced entrance to the exhibition Melotti. Consonanze con Castellani Fabro Paolini (CAMeC, La Spezia).

Information: tel. 0585 71015 - 0585 641394 infocultura@comune.carrara.ms.it

www.labiennaledicarrara.it

Catalogue: Logos, price at the exhibition Euro 30,00

High resolution pictures, access to the press reserved area:

www.labiennaledicarrara.it ,

12th International Sculpture Biennial of Carrara 2007

24 April-30 September 2007

Pietro Tacca - an artist, a story, a city

Sculpture Museum

Former Convent of San Francesco

curated by Franca Falletti

Press Offices

Cristina Pariset tel. 02 4812584, fax 02 4812486, mobile 348 5109589 e-mail cristina.pariset@libero.it

Stefania Zanieri, Sigma C.S.C. tel. 055 2340742 fax 055 244145 e-mail cscsigma@tin.it

The drawing of contemporary sculpturing from Fontana to Paladino.

The city of Carrara is getting ready to host another important artistic event: at Palazzo Binelli from June 25th to July 31st will take place the exhibition “Il disegno della scultura contemporanea da Fontana a Paladino” arranged by Municipality of Carrara in cooperation with Carlo Repetto (who works for “Repetto e Massucco” Gallery in Acqui Terme) and Walter Guadagnini.
The exhibition means to put together two terms, sculpturing and drawing: for some centuries they had well-defined characteristics and specificities but during the XX century they knew important changes that have questioned the very existence of a unique definition of “sculpture” and a unique definition of “draw”. The aim of this event is to analyse and highlights those changes, through the presentation of the work o­n paper of some of the most important Italian artists of the XX century who have marked a new and fruitful season of Italian sculpture. The exhibition put together artists of the calibre of Fontana (represented by a series of drawings about the legendary “space places” of the ‘50s), Melotti (with works where the skill of projecting and the poetry go at the same rate), Marino, Colla, (who played a leading role in the renewal of Italian art in the years immediately after the end of Second World War) to go along a way that touches figures as Ceroli (with the big study for the sculpture “Il Piper”), Ruffi, Uncini (the main figures in the first ‘60s, between Pop Art and New Abstraction) to arrive to Merz, Pistoletto (represented by their projects for the “fountain-sculpture”) Kounellis, Fabro, Zorio (with a big “Canoa1”), Piacentino, Anselmo (with his “Particolari di infinito2”), Spagnulo, Mattiacci, Nagasawa, Icaro (the leaders of the “poor art” movement that have given new international importance to the vicissitudes of the Italian art since the ‘70s).
The exhibition reaches our times with the presence of artists as Paladino (with a series of papers about the great sculpture “A Sud”), Mainolfi, Nunzio and very young sculptors as Di Giovanni e Sassolino, to witness a kind of continuity in works and thoughts with an extraordinary level of quality. The main feature of the exhibition is the skill to read this event through the privileged means of drawing that, as sculpturing, has changed its nature and destiny: from a mere planning sketch and from a plan for the main opera, it has become an independent and fundamental practice in these artist’s poetics. Nowadays the draw is a well-constructed work that can have remarkable sizes and be made of different materials. Then, this exhibition will be a kind of “plan”, extremely spectacular: it will be able to let the exhibition-goers get into the artist’s workshop, in the most secret place of their studio, where they hide their ideas that later become images. In order to fulfil these premises the exhibition will present above all works of art with big sizes: most of them have been chosen with the artists, in order to turn the rooms of Palazzo Binelli into “wonder-rooms”, where marks take a solid form and sheets become spaces of an infinite experimentation. There will be at least two works for every artist in order to represent both their drawing skills and their link with sculpturing: these pieces of art come from public and private collections and have a central position (as regards both dating and quality) in every artist’s way. There will be a bilingual catalogue as well, containing the images in colour of all works of the exhibition and the biographies of the artists as well: the introduction has been written by Walter Guadagnini, who has arranged the event.

Info: Ufficio Cultura 0585/641394
Inauguration: June 25th at 18.00 at Palazzo Binelli
Seat: Palazzo Binelli, Carrara
Visiting hours: 10.30-12.30 and 18.00-23.00
Closed o­n Mondays


Archivio:
MACHINES
works by the sculptress Arianna Loscialpo, o­n show from the 30th of July to the 23rd of August at the town library in Marina di Carrara
AUGUSTO PEREZ - THE MYTH OF SCULPTURE
11th July - 29th August
"Reading the sculpture" by Roberto Giansanti
"Works on paper" by Fausto Melotti
“Serena Pruno, Works 1980-2001”
“Before the flight” by Elena Mutinelli
“Muse-Mosaico” by Sandro Chia
Wim Delvoye’s Personal Exhibition
Francesco Messina’s exhibition
“Tiki.Cosmos” by Brend Zimmer
“Three Gods” by Umberto Mastroianni